Check out the Latest Articles:
Video Interview – Sundance Director Paul Solet on Acting in Horror

Horror movies comprise a huge slice of the worldwide box office, having grossed over $300,000,000 in 2009. This past weekend, The Academy Awards saluted the genre with a montage and honored horror legend Roger Corman with an Honorary Oscar. Yet, despite its increasing profile and market share, the genre remains remarkably open to casting unknown and up-and-coming actors in large roles.

A few years ago, as I was leaving the ingenue phase of my casting, I began searching for parts of the business that offered the chance to play “act-able” roles (ie, characters pursuing strong objectives rather than functioning as ornamentation or glorified set-dressing) to women of all ages, and I kept coming back to the horror genre. When Sarah and I began Brains, I knew I’d want to find a way to help our readers pursue this work with intelligence, dignity, fun & adventure.

Last fall, serendipity arrived in the form of a Facebook message from actor Kristina Klebe. Kristina and I met years ago in New York acting in a production of Caryl Churchill’s (ghoulish) play The Skriker. Kristina found

The Good, the Bad & the Ugly: a Vet’s Take on 30 Years of Auditioning

Suzie Plakson has been making a living as a TV, theatre, and film actress for 25 years.  Highlights include recurring roles as Dr. Golfinos on Mad About You and Judy Erikson on How I Met Your Mother, Broadway’s La Bete, movies such as Disclosure, Wag the Dog and Redeye, and the voice of a blue brontosaurus real estate agent on Dinosaurs. For more info visit www.suzieplakson.com.

I’ve been auditioning for professional acting jobs for (cue scream of horror) thirty years. Auditioning is, indeed, a micro-art unto itself. It is an art within a presumably artistic business, an art fraught with frustration, futility, humiliation, anxiety, hidden crafts, and on very rare occasion, magic — magic that isn’t necessarily contingent upon getting the job. The magic happens when preparation and skill mix with the receptivity of the people for whom you’re auditioning — in spite of the pressures that would seem to preclude that possibility — and all within the room are transported, for a moment, beyond the rather unappealing business at hand.

A few of my general premises:

1) Show business is a mad, mad, mad, mad world.  Mediocrity is all too often the cream that rises; why does so much talent go nowhere, why does so much crap go everywhere? Don’t ask.  Literally.  To maintain a steady sanity, it is essential to accept, again and again, the fact of a systemic, smiling insanity and inanity. One must let go of finding a Why in so very many instances.  Particularly for the analytical amongst us, “But why?” leads to tortured madness.  Best

Music Guru Jeffrey Marshek Wants to be Your Doctor

JEFFREY MARSHEK is a personal music junkie, at your disposal.
I like to think of my work as a music trainer with a monthly plan to get your ears in the best shape possible.
I am setting up a regimen for what you should be listening to each month.
You could even look at me as your music [...]

How to Do Your To Do List

Samantha Bennett is the founder of The Organized Artist Company dedicated to helping creative people get unstuck in whatever way they’re stuck, especially by helping them focus and move forward on their goals.  Based in Los Angeles, Samantha offers her revolutionary Get It Done! Workshops, teleclasses and private consulting to overwhelmed [...]

Audition Tapes that Got the Part

Courtesy of Youtube and some leaky casting offices, The Brains bring you a selection of role-winning audition tapes and musings to go with them.
Evangeline Lilly – Lost

Claire: Ohhh, I love the discourse between her and JJ Abrams at the top of the tape. Just that little bit, watching two people [...]

Jason Pugatch on Getting Dropped by Your Agent

Jason Pugatch is the author of Acting is a Job: Real Life Lessons about the Acting Business, which has received high praise for its candid look at the acting business. He has also written the feature film Coach, starring Hugh Dancy, to be released in NY and LA this Spring. As an actor you might [...]